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The Power and the Glory
AuthorBREEZE, TONY - Other Plays by this Author - Contact Author
FormatFull-length.
SynopsisA small village sleeps in the summer sun whilst a war goes on elsewhere. A group of soldiers arrives and are told by their boss that there is to be no trouble and that they have to keep a low profile. Among the soldiers is a young sixteen year-old boy who has just joined up and isn't aware of his unit's past history. Against orders, he meets and falls in love with a local girl. A welcoming dance is held for the troops but then one of the officers is found dead. In the Second Act the senior officer reveals his true colours, encircling the village and doing all he can to find the culprit, even going so far as to have the old priest tortured to reveal what has been said in the Confessional. Eventually he decides to remove all the food to loosen their tongues but things begin to take turn for the worse as the starving villagers revert to their animal nature. It is finally a battle between the power of the bullet versus the glory of the spiritual hope offered by nuns serving the holy communion wafers. This script is ideal for a large drama group or college performance and is a combination of two events that actually took place - one in France and the other in Russia. In the former, soldiers wiped out the whole village and in the latter the communists took all the food in the villages to make the inhabitants submit to communist rule (with frightening results).
InformationBased on real people/events
Cast15f & 15m (minimum 30)
Soldiers and villagers
ProductionMoving crowd scenes with starving villagers and awaiting its world premier with a director of great vision.
StatusAvailable for performance
Websitewww.tonybreeze.co.uk
ISBN1-872758-10-X
DOWNLOADS - these do not include any performance rights
FileDateDescriptionAvailabilityPurchase
powerandglory1.docSun, 16th Oct 2005Free download of first actAvailable to print: £0.00Download here
powerandglory.docMon, 19th Mar 2007Buy full scriptAvailable to print: £7.00
PERFORMANCE LICENSES
Available on ScriptCircle: (for other licences please contact the Author)
CompanyVenueDetailsCostPurchase
Amateur PerformanceUp to 600 seats. EEC Countries.£45.00 per performance
Performance Company and Venue:

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TONY BREEZE

Having grown up in Sunderland, in the north-east of England, Tony went to Nottingham to train as a drama teacher. He taught for two years then came to a crossroads in his life when he realized that he'd spent the majority of his early years in educational establishments and was faced with another forty years of doing the same. Naively wanting to "do good for society," he decided to take a look at the world outside and enrolled in the local police force but after a few years of working shifts and seeing the gritty realities of life on the outside, he was in need of a creative outlet and began writing plays, two of which were published by New Playwrights Network of Macclesfield. Whilst still in the police he continued to to act and write and following a long career in amateur drama, at the age of forty, he was still feeling the "call of the greasepaint" when he wondered if he could follow his heart and change course again. He was working at the time as a sergeant at a Police Training Centre near Coventry and without telling his colleagues, he applied for an audition for a place on an acting course at The Poor School in London, learned two pieces by heart and after several auditions on the day, was the only one of his group to be offered a place. However, faced with the actual decision, he then felt unable to "walk through the door into the other world" due to the practicalities of teenage children, mortgage payments,steady salary, etc. Having reluctantly turned his back on a professional acting career he was forced to return to the strict militaristic world of the police training centre where keen, short-haired, young officers were marched around the Parade Ground by the drill sergeant to the strains of John Philip Sousa. With a Law Degree, Inspector's exams and many years experience under his belt, he again applied for promotion but was again turned down. Totally frustrated with his lack of career progress, he then turned for personal fulfillment to his writing and after two years of living away from home in the military-style environment, while his colleagues were out one night on a trip to the local brewery, he used the aging photocopier without permission to make some copies of his latest creation (a caring monologue about a lonely old lady talking to her dead husband called "Bill"). He was suspected by a passing Inspector and the powers-that-be informed. When challenged the next day as to what he'd been doing in the photocopier room, he thought that honesty was the best policy and told the truth, hoping for clemency. Instead, the Commandant, Vic Hopkins, due to the perceived seriousness of the transgression, had his room searched and placed him under house arrest in his bedroom for the whole day while they carried out a full investigation amongst the rest of the staff. They let him go home for the weekend, (perhaps to think about his offence) and subsequently put him before an internal disciplinary panel before sending him back to his own force in Nottingham. Tony is extremely pleased to be able to say that he later had to return to the city of Coventry to see one of his plays being performed by The Criterion Players (unfortunately not "Bill" which was performed later elsewhere). In the year 2,000 another of his scripts, "My Brother's Keeper," was chosen from 150 entries for the final round of the Pittsburgh New Play Festival and later published by Pieter Vink Publishers in Holland and Belgium. His other plays have now been performed in England, Scotland, Wales, South Africa and Australia, winning several awards for the groups who have performed them. His motto is now: "Nil illegitimae carborundum!" because, as he learned to his cost at the end of his police career, there were still one or two illegitimae about in uniforms who professed one thing publicly then bullied people in private behind office doors. However, the pen, they say, is mightier than the sword and he is hoping to be able to use one of these individuals as a template for a character in a future play about bullying in the work environment.
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